Plane and Solid Geometry (Classic Reprint)

Excerpt from Plane and Solid Geometry<br><br>Most persons do not possess, and do not easily acquire, the power of abstraction requisite for apprehending geometrical conceptions, and for keeping in mind the successive steps of a continuous argument. Hence, with a very large proportion of beginners in Geometry, it depends mainly upon the form in which the subject is presented whether they pursue the study with indifference, not to say aversion, or with increasing interest and pleasure.<br><br>Great care, therefore, has been taken to make the pages attractive. The figures have been carefully drawn and placed in the middle of the page, so that they fall directly under the eye in immediate connection with the text; and in no case is it necessary to turn the page in reading a demonstration. Full, long-dashed, and short-dashed lines of the figures indicate given, resulting, and auxiliary lines, respectively. Bold-faced, italic, and roman type has been skilfully used to distinguish the hypothesis, the conclusion to be proved, and the proof.<br><br>As a further concession to the beginner, the reason for each statement in the early proofs is printed in small italics, immediately following the statement. This prevents the necessity of interrupting the logical train of thought by turning to a previous section, and compels the learner to become familiar with a large number of geometrical truths by constantly seeing and repeating them. This help is gradually discarded, and the pupil is left to depend upon the knowledge already acquired, or to find the reason for a step by turning to the given reference.<br><br>It must not be inferred, because this is not a geometry of interrogation points, that the author has lost sight of the real object of the study.<br><br>About the Publisher<br><br>Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com<br><br>This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.