The Apology of Socrates Crito Etc (Classic Reprint)

Excerpt from The Apology of Socrates Crito Etc<br><br>Apology is so purely an occasional piece, that it can find no place in the series of its author's philosophical productions. Yet there is certainly one sense, in which, let not the reader be startled, one might perhaps say that it is not a work of Plato's. I mean that it can scarcely be a work of his thoughts, a thing which he invented and fabricated. For if we attribute to Plato the intention of defending Socrates, we must first of all distinguish the times at which he might have done it, either during his process, or subsequently, no matter how soon or how late, to his execution. Now in the latter case Plato could only have proposed to vindicate the principles and sentiments of his friend and master. But this vindication he, who was so fond of combining several ends in one work, might easily have coupled his scientific views: and accordingly we not only find detached intimations of this kind scattered over his later writings, but we shall soon be introduced to an important work, one which cannot be denied to be closely enough interwoven with his scientific speculations, in which a collateral object, but one made distinctly prominent, is to place the conduct and virtue of Socrates as an Athenian citizen in a clear light. Now this is intelligible enough: but Plato could scarcely have found any inducement at a later period to compose a work which merely confronts Socrates with his actual accusers.<br><br>About the Publisher<br><br>Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com<br><br>This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.