The Art of Being Happy
From the French of Droz, 'Sur L'art D'etre Heureux;' In a Series of Letters From a Father to His Children; With Observations and Comments (Classic Reprint)

Excerpt from The Art of Being Happy: From the French of Droz, 'Sur L'art D'etre Heureux;' In a Series of Letters From a Father to His Children; With Observations and Comments<br><br>The text, upon which the following observations and comments are based, does not assume to be a literal translation of the celebrated work of Droz. The original is strongly idiomatic; and the author has carried an uncommon talent of being laconic sometimes to the point of obscurity. I have often found it impossible to convey to the English reader a sentiment, perfectly obvious in the original, in as few words as are there used. The French, in its more numerous articles, more allowable and bold personifications, and arbitrary use of gender, has, in the hand of certain writers, this advantage over our language. When the doctrines of the book are compared one with the other, and each with the general bearing of the work, the inculcation, namely, of the truth that virtue is happiness, there will be found nothing immoral or reprehensible in it. The author, on the whole, leans to the Epicurean philosophy. Unfavorable, though erroneous impressions have been very generally entertained of that philosophy. In deference to that opinion, I have altogether omitted the few sentences, which seemed appropriate to some of the dogmas of the Epicureans.<br><br>About the Publisher<br><br>Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com<br><br>This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.